Designing and Making Paper Items

There are several ways of decorating paper. Most of the techniques were born out of experimentation of the artist with the colours and other materials found in the environment. This implies that aside from those methods that will be detailed, every artist must endeavour to create new ways of designing paper items.

1. Marbling (controlled and uncontrolled)

2. Comb-pattern

3. Wax resist

4. Doodling

5. Spraying

6. Roller and twine pattern

7. Ink-blowing

1. Marbling (controlled and uncontrolled)

Marbling is a method of making decorative patterns on paper by transferring colour from the surface of a liquid onto paper. Tools and materials required for marbling include paper, brushes, thinner, basin or trough, various colours of oil paint, cooked starch, empty tins, stick, and water.

Controlled Marbling

Process:

1. Fill a trough with cooked starch in an even consistency.

2. Sprinkle different colours of oil paint on the starch.

3. With the aid of the stick, stir gently for the colours to mix on the surface of the starch in order to make the patterns.

4. Place paper flat on top of the starch and tap the back to remove trapped air.

5. Hold one edge of the paper and remove it by dragging it along the edge of the trough to remove the starch.

6. Excess starch is washed off with water and hanged to dry.

Uncontrolled Marbling

Process:

1. Fill a trough with water.

2. Sprinkle different colours on the water.

3. Stir in different directions for the colours to come together over water.

4. Place paper flat on top of the trough and tap the back to remove trapped air.

5. Hold one edge of the paper and remove it by dragging it along the edge of the trough.

2. Comb-pattern

The tools and materials are large brush, paper or hair comb, cooked starch, water, powder colours, paper.

Process:

1. Mix powder colour with cooked starch to an even consistency to form a thin paste.

2. The brush is used to paint paste over the entire surface of paper.

3. The comb is used in making rhythmic patterns on the sheet.

4. It is hanged to dry.

3. Wax resist

Tools and materials required for this paper pattern making technique include brush, crayon or candle, powder colour, paper.

Process:

1. A sheet of paper is folded and creased to create parallel lines.

2. Wax is used to draw lines within the folded lines.

3. Go over the lines for a second run.

4. Colours are mixed and painted over the waxed paper.

Another technique is to sprinkle molten wax on paper. It is painted over with any high key colour. Wax is sprinkled over again and painted over with a low-key colour. After drying it, place the paper between two sheets of newspaper and iron to remove the wax leaving the patterned design.

4. Doodling

The tools and materials used include pencil, colours, paper, and brushes.

Process:

1. Create doodles to cover the entire sheet. Doodles are scribbles make on paper without any forethought plan.

2. Different colours are mixed to paint familiar shapes created by the doodles.

3. Erase the extensions created by the pencil.

5. Spraying

Tools and materials used include spray diffuser or shoe brush, paper, colour, cut out shapes, natural objects.

Process:

1. Arrange the natural objects or patterned templates and maintain their positions with drawing pins on the sheet of paper.

2. Spray colours on the patterns using the spray diffuser or an empty pen barrel with a mesh held at one end.

3. Gently remove the drawing pins and the cut out patterns.

4. The sprayed patterns on the paper is left to dry.

6. Roller and twine pattern

Tools and materials used include paper, printing ink, two hand rollers, rags, twine, thinner, glass slab.

Process:

1. Twine is wound around one hand roller.

2. Printing ink is placed on glass slab and rolled over with the second roller.

3. Printing ink is transferred onto the twined roller by rolling it over the glass slab.

4. The inked twined roller is rolled over the paper from the edge to edge and covered all over.

5. The rollers are cleaned with thinner and a different colour is used to go over the already created pattern to give a two coloured effect.

7. Ink-blowing

Tools and materials used include ink, paper, and empty pen barrel.

Process:

1. Sprinkle the paint at different sections on the paper.

2. Blow the paint to sprinkle it in a hairstyle manner using the empty pen barrel.

3. Leave the paper to dry.

Decorative papers are used for making book covers, endpaper, wrappers, wallpaper, background for calligraphy etc.

Body Piercing Aftercare & Healing Essentials

The most important thing to keep in mind after your body piercing has been performed is that you have essentially just sustained an open wound, and you should be caring for it exactly like you would a surgical wound or injury. That is, with the same kind of care, cleanliness and attention that you would to a serious injury to make sure that you don’t scar or get an infection. There are two different types of body piercings to consider: non-oral and oral.

Non-oral body piercing aftercare Keeping your piercing clean can’t be stressed too much! It just can’t. Twice a day, every day, without fail. No excuses. Use a mild antibacterial soap that doesn’t have fragrances in it, such as Provon® Antimicrobial Lotion Soap or Satin® Therapeutic Skin Cleanser, both of which are approved by the Association of Professional Piercers (APP). The best place to clean your piercing is usually in the shower, where the warm water will help you loosen and remove those crusties around the base of your jewelry. Use a cotton swab or a Kleenex to remove these, and then throw the swab or Kleenex away. Never use a washcloth — these things are breeding grounds for germs and bacteria! The same for bath towels after your shower! Then, with clean hands, gently cleanse the area with the soap and turn the jewelry so that the soap gets in the piercing and let this sit for a minute or two. After rotating it again, rinse thoroughly with warm, clear water. Make sure you get all of the soap out to prevent irritation. The rinsing is very important, so try to be thorough without irritating the area. It often helps to cup your hands and drizzle water over the area, since the shower stream can be a little too hard to aim directly on the area. Don’t forget your sea salt soaks After cleansing, a sea salt soak helps to draw out any piercing infection and impurities while soothing the area and calming any inflammation that may be present. Mix about ¼ teaspoon of sea salt with 8 ounces of warm water. Using a disposable cup, soak your piercing in this for ten minutes the first time, and five minutes each time after that. If your piercing is in a location that makes this difficult, apply the solution with cotton swabs, tissues or some other disposable product that’s soft and clean. Never use a hanky, washcloth or any other item that is going to be reused. Always pat your piercings dry with cotton balls, cotton swabs or tissues — don’t rub them, pat them. This reduces irritation and possible tearing of the skin and helps promote healing. Although it seems to be a minor step, keeping your piercings dry is actually an essential part of piercing aftercare because it reduces the opportunities for bacteria to breed (they love a warm, moist place to play). If you aren’t sure about mixing your sea salt soaks properly or it’s too inconvenient, there’s a new alternative on the market that’s less messy and is portable. H2Ocean® Piercing Aftercare Spray is a pre-mixed sea salt solution containing lysozyme, a natural antibacterial that is gentle to the skin. Simply spray it on the area and allow to drip dry; it’s easy to use because of their patent-pending compressed air delivery system that produces a fine mist. This product is guaranteed to heal navel piercings in only a month and a half if used regularly and is highly recommended by numerous piercing communities like BME and Prick magazine. H2Ocean® also comes in a portable size for your pocket or purse, which makes piercing aftercare away from home easier. X-pressions Piercing Aftercare Spray is also available for both oral and non-oral body piercings and is a mild antibacterial solution with purified water in a non-aerosol, pump spray with a pleasant, peppermint flavor. Once a day (not more often, because you’ll be unnecessarily irritating the area), check that the ends of your piercing jewelry are firmly screwed on. But wash your hands with antibacterial soap first. And now, a few “don’ts”

  • Don’t ever put hydrogen peroxide or alcohol on a piercing — they are too drying and will delay healing.
  • Don’t ever use Neosporin on a piercing — it can actually trap bacteria. Read the label; it actually says, “Not for puncture wounds.” Guess what? A piercing is a puncture wound.
  • Don’t ever remove your piercing jewelry before the piercing is completely healed, which may take months or up to a year. If you suspect a piercing infection, see your piercing professional or doctor first.
  • Don’t sleep on your piercing until the initial healing phase is over.
  • Don’t wear tight clothing over your piercing during the initial healing phase.

Oral piercing aftercare During the first three to six weeks after an oral piercing, rinse your mouth with an antibacterial agent after every meal to kill bacteria and make sure not tiny food particles aren’t lodged around your piercing just waiting to fester and turn into problems later. There are several excellent products on the market for this, including APP recommended Biotene and Tech2000 Dental Rinse; these have the proper ingredients and have the right potency to get the job done without being too strong. Don’t bother with mouthwash, because it’s not strong enough to do anything but cover your bad breath, which won’t be much consolation when you have a swollen, tender tongue because of improper aftercare. You can also use a commercial antibacterial rinse, but dilute it so that it isn’t too strong. If your tongue develops a whitish or yellowish look, your mouth rinse is too strong and will slow healing. Sea salt rinses … ahh! Mix the familiar warm water solution of 8 ounces water to ¼ teaspoon sea salt and swish this in your mouth for 15-20 seconds after drinking anything other than water and after smoking. It’s not only an aid to healing, but can be very soothing to the pierced area. If your oral piercing is sore or swollen, you can find some relief by allowing crushed ice to melt in your mouth. Popsicles, ice cream and the like also work, but will need to be followed up, like everything else, with a sea salt rinse (or H2Ocean®). Brush, brush, brush You can keep your tongue and piercing as clean as you want, but if you don’t brush your teeth well, you’ll still have millions of bacteria in your mouth. Try to brush your teeth three times a day during the first several weeks of healing. Buy a new soft-bristle brush that will be gentle on your piercing. Don’t use a brush that you’ve already used before your piercing, as it will harbor old germs. You should also gently brush the balls on the ends of your piercing jewelry to prevent the natural build-up of plaque on your jewelry. Oral piercing “don’ts”

  • Don’t smoke, chew gum or use snuff or rub during the healing period; these increase the risk of piercing infections astronomically.
  • Don’t play with the piercing jewelry or click it against your teeth; this can cause cracking of your tooth enamel.
  • Don’t engage in any activities, including kissing, that exchange body fluids during the initial healing period of several weeks.

General tips to improve healing success Proper piercing aftercare is the primary reason for a successfully healed body modification, but your overall health and how well you take care of yourself is also a contributing factor. If you are run-down or your immune system is compromised, you will not heal as quickly and you will be more prone to infection. For that reason, you should keep in mind a few things whenever you have any kind of piercing in order to help ensure that your piercing aftercare measures are given the best chance of success:

  • Drink plenty of fluids, especially water. Eight glasses of day at the very least.
  • At least eight hours of sleep a night
  • Try to limit the amount of stress in your life
  • Vitamin C and Zinc supplements to help speed the healing process
  • Lots of fruits and vegetables, and a multi-vitamin if needed
  • If the pain bothers you, take Ibuprofen. If you are comfortable, you are less likely to fidget with the piercing.

Signs of trouble Even with excellent piercing aftercare, there will be some swelling at the site of a piercing for a few days. You’ll also have some clear, watery discharge and perhaps some mild bleeding. The bleeding will usually stop within 24 hours, while the discharge may last for several days or weeks. This is simply drainage of the wound and actually helps prevent piercing infection. Signs that the piercing is in trouble include:

  • Discharge that becomes noticeably thicker and is yellow or green in color. This is a sign or infection and should be checked by a doctor.
  • Inflammation that lasts longer than a few days, with redness and irritation. See your piercing professional or doctor.
  • Red streaks from the piercing site and a fever, along with body aches. See your doctor.
  • Hives, redness, itching and irritation around the piercing, which may signal an allergic reaction to the piercing jewelry. Your piercing professional can try replacing it with an alternative metal.
  • Difficulty breathing or wheezing after your piercing, or a feeling that your mouth or throat are swelling closed. Seek emergency attention immediately!

So how long does all this healing take? If you perform your piercing aftercare properly, your body piercing will heal cleanly and leave you with a beautiful new piercing with no scarring, migration or keloids. The time it takes to achieve this, however, will vary depending upon what kind of piercing it is. The general timeframes listed below are just for reference. All of these depend upon your individual body’s response, how much stress you are under and a thousand other variables. Earlobe or Eyebrow: 6 – 8 weeks
Genitals: 4 weeks – 4 months
Labret/Lip: 6 – 8 weeks
Navel: 6 – 18 months
Nipple: 3 – 6 months
Nostril: 3 months – 1 year
Septum: 6 – 8 weeks
Tongue: 4 – 6 weeks
Cartilage: 3 months – 1 year Disclaimer: All piercing aftercare information provided herein is for information purposes only. It is not meant to be a guideline for body piercing aftercare, but a starting point in making an informed decision concerning body piercing. If you have any questions or proceed with a body piercing, please be sure to discuss the procedure with a medical or piercing professional and get complete and clearly understood piercing aftercare instructions at that time. Evaluseek Publishing claims no responsibility for the accuracy of this content, which is based on the general consensus of the piercing community, which is constantly evolving and changing. This article on the “Body Piercing Aftercare & Healing Essentials” reprinted with permission.
Copyright © 2004 Evaluseek Publishing.

Formal and Informal Page Layouts Formats for Designing

A page layout is an art of arranging or organizing text and images (illustrations, symbols, photographs etc.) on a page or pages to create a desired and pleasing effect. A well-designed page attracts the reader’s attention and presents the material in an easy to read fashion. Modern page layout offers the Graphic Designer with many options that make his/her work very attractive, effective and unique.

i. Formal / Symmetrical layout:

This is a format that is divided into two equal parts to achieve balance. It is achieved when an imaginary vertical centre line divides the layout and each side of it contains an equal amount of copy text and illustrations. It expresses dignity and stability. The formatting “toolbar” on the computer has commands or operations which help designers in organizing their page layouts such as in typesetting their work according to specification. Examples are the Justified, Unjustified and Centered layouts.

• Justified: In this arrangement, all lines have the same length and are aligned to form a straight line at both left and right or flush left and right. Word spacing is adjusted so that each line fills the entire measure. It is the commonest format and is very easy to read. However, its demerit is that it contains a lot of hyphens.

• Unjustified: The lines of type in this format is either flushed left and rugged right or flushed right and rugged left. The flush left is common and easy to read but flush right is not popular and is difficult to read.

• Centered: Type lines in this arrangement appear rugged at both ends. The lines centered on an imaginary vertical line making it symmetrical. It is a good layout format for headlines and certificates.

ii. Informal Layout

It is also referred to as Asymmetrical Layout. This format has an informal balance. Each side contains unequal amounts of copy text and illustrations. Informal balance gives the artist the freedom in placing the different types and elements of design using personal opinion and taste. It is often difficult to read. Examples of the informal layout are contour, run-around and inclined layouts.

• Contour: In this style, each side contains unequal amounts of copy text and illustrations in an undulating form (move in a wavy pattern).

• Run-around: In this format, each side of the layout contains unequal amounts of copy text and illustrations in a circular form.

• Inclined: In this layout style, each side of the layout contains unequal amounts of copy text and illustrations which are slanted to either left or right (diagonal pattern).

The History of Mixed Media Art

Mixed media art is a kind of artwork in which several mediums are employed. There’s an important difference between “mixed-media” artworks and “multimedia art”. Mixed media mean a work of visual art that mixes numerous traditionally unique visual art media. To provide an example, a work on canvas that mixes paint, ink, as well as collage can appropriately be called a “mixed media” work – but not a work of “multimedia art.” The term multimedia art indicates a broader range than mixed media, merging visual art with non-visual materials (including recorded sound, for example) or with elements of the other arts (such as literature, drama, dance, motion graphics, music, or interactivity).

What we all know nowadays as mixed media art began during the early twentieth century, when artists looking for a substitute for what they saw as hidebound academicism started including things and pictures that were not regarded as art materials in their works. Examples of everyday materials being included in ceremonial or aesthetic objects could be found dating back to prehistory, however, these were produced with different motives, and served quite a distinct social purpose compared to the objects all of us refer to as “art.”

Picasso’s Still Life with Chair Painting (May 1912) is often considered the 1st modern collage, it is actually an assemblage of oil paint, oil cloth, pasted paper, as well as rope, turning it into a low-relief, three-dimensional work. The first collages constructed solely of paper, on the other hand, were made by Braque in the summertime of 1912, when he utilized wood-grained wallpaper in a series of charcoal drawings. After a brief lull in collage activity, the 1920s’ art scene experienced the arrival of German dada artist Kurt Schwitters’s remarkable array of personal expressions accomplished in collage and assemblage. He fixed everyday found papers as well as things of all types to canvas, paper, and board supports, giving them another and most likely more notable life.

In the 1930s, Henri Matisse utilized cut-paper shapes as preparatory work for commissioned items to be executed in some other media. But in 1947, he published a small collection of twenty color plates of his cutout designs. Joseph Cornell’s work in stage like boxed assemblages during the early 1940s began the abstract expressionists’ search for collage as an art form. The liberty of expression engendered by means of collage explorations headed directly to the assemblages, constructions, and also combine paintings of Robert Rauschenberg, Jasper Johns, Jean Dubuffet, and Ellsworth Kelly, as well as to their experimental work in the 1950s as well as 60′s. And their particular work in turn created the conditions for the installations, appropriations, settings, and new object works of the eighties and 1990′s.

Mixed media art, drawing from the efforts of early artists, made mixed media an accessible art form for both skilled and novice artists. Assemblage as well as collage can be obtained combined with acrylic and watercolor painting, rubber-stamped art, sculpture as well as altered books. Fibers, torn papers, inks, glitter plus beads are discovering their way into works of fine art as well as commercial items such as greeting cards and quilts. The near future of mixed media, it appears, is bound just by the creativity of artists and whatever they could possibly get their hands on.